Skip to main content

More About Resurrection

Acts 2.14, 22-32
This passage from Peter's sermon on the day of Pentecost is the closest that the first Christians come to mentioning the empty tomb, and then Peter does so only by implication. Assuming that David is the writer of Psalm 16, Peter reflects on David's celebration of God's power to rescue him from death. Clearly, David himself was not rescued because - says Peter - his tomb is with us to this day, so the psalm must be prophetic. David must have been looking forward to a time when his royal House would be able to triumph over death through his descendant Jesus. Setting aside the fact that modern scholars think the psalmist is not talking about actual resurrection from death, but about being rescued from the brink of death, the obvious implication of Peter's words is that - in contrast to the tomb of King David - Jesus' tomb is empty. Then Peter concludes, however, not by emphasising the fact of the empty tomb but by stressing once again that the first disciples are witnesses to Jesus' resurrection. It is personal testimony to the resurrection of Jesus which really counts. The empty tomb seems to be mere icing on the cake.

1 Peter 3.3-9
Peter's theology is taken up and developed by the author of the Letters of Peter. He begins this passage by talking, in similar terms to last week's passage from Paul's letter to the Church in Colossae, about our personal experience of Jesus' resurrection. Paul described becoming a Christian as a spiritual experience in which we are drawn into the dynamic of Jesus' resurrection. We die to our old life and are raised to a new one by believing that Jesus died for us and is alive again. The author of 1 Peter draws on a different metaphor to describe the same experience'. Like the author of John's Gospel he prefers to compare becoming a Christian to rebirth rather than resurrection, but he links the two ideas. Our new birth into the Christian faith comes as a result of a living hope which Jesus' resurrection makes possible.

However, like Paul, the writer draws parallels between the actual historical experiences of Jesus and our own personal faith journey. Jesus had to suffer and die in order to enter into his risen power. In the same way, Christians must expect to endure hardship and suffering in order to share in Christ's glory. This is a logical extension of Jesus' own teaching about carrying our own cross if we wish to follow him.

The difference between us and Peter is that we must believe in the resurrection even though we have not seen the risen Jesus. But, once we believe, we can begin to enter into the same indescribable joy which the first disciples felt at Easter.

John 20.19-31
There are echoes here of another theme in John's Gospel, the story of doubting Thomas and John's teaching about it. Like the author of 1 Peter, the author of the Gospel is keen to emphasise not only the importance of believing the testimony of the first disciples, but also the necessity of suffering and death as a prelude to sharing in Jesus' resurrection life. The enduring wounds in Christ's body are a reminder that there is no easy way to glory.

Comments

Popular posts from this blog

I don't believe in an interventionist God

Matthew 28.1-10, 1 Corinthians 15.1-11 I like Nick Cave’s song because of its audacious first line: ‘I don’t believe in an interventionist God’. What an unlikely way to begin a love song! He once explained that he wrote the song while sitting at the back of an Anglican church where he had gone with his wife Susie, who presumably does believe in an interventionist God - at least that’s what the song says. Actually Cave has always been very interested in religion. Sometimes he calls himself a Christian, sometimes he doesn’t, depending on how the mood takes him. He once said, ‘I believe in God in spite of religion, not because of it.’ But his lyrics often include religious themes and he has also said that any true love song is a song for God. So maybe it’s no coincidence that he began this song in such an unlikely way, although he says the inspiration came to him during the sermon. The vicar was droning on about something when the first line of the song just popped into his

Giotto’s Nativity and Adoration of the Shepherds

John 1.10-18 In the week before Christmas the BBC broadcast a modern version of The Nativity which attempted to retell the story with as much psychological realism as possible. So, for instance, viewers saw how Mary, and Joseph especially, struggled with their feelings. But telling the story of Jesus with psychological realism is not a new idea. It has a long tradition going back seven hundred years to the time of the Italian artist Giotto di Bondone. This nativity scene was painted in a church in Padua in about 1305. Much imitated it is one of the first attempts at psychological realism in Christian art. And what a wonderful first attempt it is - a work of genius, in fact! Whereas previously Mary and the Baby Jesus had been depicted facing outwards, or looking at their visitors, with beatific expressions fixed on their faces, Giotto dares to show them staring intently into one another’s eyes, bonding like any mother and newborn baby. Joseph, in contrast, is not looking on with quiet a

Meeting Jesus on Zoom

‘Unless I see the mark of the nails in his hands, and put my finger in the mark of the nails and my hand in his side, I will not believe.’ (John 20.19-31 ( https://www.biblegateway.com NRSVA) This is my second reflection about today’s Gospel reading but I wanted to write something about meeting Jesus on Zoom. Zoom’s been very useful during the lockdown, but it’s also got a bad press. Various mischief makers have gatecrashed meetings on Zoom, either to eavesdrop or make inappropriate comments. That’s why worshippers needed permission to join our on-line service this week. If they managed to press all the right buttons, and entered all the right codes, they should've found themselves looking at a screen not unlike the cartoon picture below of the eleven apostles trying to meet on Zoom with the risen Jesus. Anyone who couldn't see the service on the screen would've been in good company. In the cartoon Jesus has done something wrong. Either he hasn’t enabled Zoom to t