Skip to main content

I Know Nothing!

1 John 4.7-12

If only all people of religious faith could take to heart 1 John chapter 4 verse 8: ‘The unloving know nothing of God, for God is love.’

So often people of faith come across to the rest of the world, that is to uncommitted people, to agnostics and atheists, as angry, impatient, self-righteous, hyper-critical of others, unpleasant, even hateful. And when religious people come across like that - whether it’s you and I, or other people in the media and so on - it gives entirely the wrong impression of God, for God is love. Everyone who loves is a child of God - that is someone made in God’s image, whether they realise it or not. But the unloving know nothing of God.

In an episode of the famous television comedy Fawlty Towers Manuel the Waiter is told by the proprietor of the hotel, Basil Fawlty, that if anyone asks him about a little secret flutter Basil has had on the horses Manuel is to say, ‘I know nothing.’

Unfortunately one of the guests is in on the secret, too. He is a long-standing elderly resident called The Major. Cornered by Sybil, his ferocious wife, who suspects that he has been gambling again, Basil is forced to ask the Major to hide his winnings in his jacket pocket. But later, of course, when Sybil has gone, the Major can’t remember being given the money and refuses to hand it over.

‘Tell him,’ Basil says to Manuel. ‘Tell him that the money is mine, that it’s the money I won on the horses.’ But, just as he was instructed, Manuel will only say, ‘I know nothing.’

Well, a great many religious people are likely the clueless Manuel. When it comes to God’s love we know nothing. In fact, the God we love becomes - if we’re not careful - a figment of our own imaginations. We conjure up the God we want to believe in, a God who approves of us and disapproves of people who are different from us.

Of course, God has never been seen by anyone, so it’s an understandable mistake. But the true nature of God is revealed by Jesus’ death on the cross. His sacrificial death, which he willingly entered into out of love for us - even before we began to love him back - shows us what God is really like. And if God has thus loved us,we also must love one another if we want God to dwell in us, and if we want his love to be made perfect in our lives as it was in Jesus.

John comes to these conclusions because - even since writing the Gospel - he has had the misfortune to minister to a divided church where people who claimed to be closer to God than everyone else were sowing hatred and mistrust instead of love. People like that, says John, know nothing of God.

Comments

Popular posts from this blog

I don't believe in an interventionist God

Matthew 28.1-10, 1 Corinthians 15.1-11 I like Nick Cave’s song because of its audacious first line: ‘I don’t believe in an interventionist God’. What an unlikely way to begin a love song! He once explained that he wrote the song while sitting at the back of an Anglican church where he had gone with his wife Susie, who presumably does believe in an interventionist God - at least that’s what the song says. Actually Cave has always been very interested in religion. Sometimes he calls himself a Christian, sometimes he doesn’t, depending on how the mood takes him. He once said, ‘I believe in God in spite of religion, not because of it.’ But his lyrics often include religious themes and he has also said that any true love song is a song for God. So maybe it’s no coincidence that he began this song in such an unlikely way, although he says the inspiration came to him during the sermon. The vicar was droning on about something when the first line of the song just popped into his ...

Giotto’s Nativity and Adoration of the Shepherds

John 1.10-18 In the week before Christmas the BBC broadcast a modern version of The Nativity which attempted to retell the story with as much psychological realism as possible. So, for instance, viewers saw how Mary, and Joseph especially, struggled with their feelings. But telling the story of Jesus with psychological realism is not a new idea. It has a long tradition going back seven hundred years to the time of the Italian artist Giotto di Bondone. This nativity scene was painted in a church in Padua in about 1305. Much imitated it is one of the first attempts at psychological realism in Christian art. And what a wonderful first attempt it is - a work of genius, in fact! Whereas previously Mary and the Baby Jesus had been depicted facing outwards, or looking at their visitors, with beatific expressions fixed on their faces, Giotto dares to show them staring intently into one another’s eyes, bonding like any mother and newborn baby. Joseph, in contrast, is not looking on with quiet a...

Overcoming separation

1 Peter 1.3-9, John 20.19-31 This year our eldest son will turn 40, but back in the day - when he was five or six perhaps - he was a master at delaying bedtime. Just as we were trying to tuck him into bed he would come up with a range of intriguing and important questions which he felt we wouldn't be able to resist.  For instance one of his questions that I remember is, ‘Where is God?’ When we counteted with something like, ‘God is everywhere,’ he was ready with his next question, ‘If God is everywhere, why can't we see him?’  It's a good question, and it takes us straight to the heart of today's lectionary readings. That was exactly the question which Thomas posed to the other disciples about the risen Jesus on the First Easter Day, and which the writer of the First letter of Peter addresses too. At Meriden we have been using a Lent liturgy which was written by the awarding winning poet and children's author Jan Dean. In her spare time she’s also a Church of Englan...