Skip to main content

Jesus Surf Classic

Luke 15.1-10
It's easy to lose track of what this parable is really all about, and get bogged down in descriptions of shepherds and how they herd their flocks in Palestine by leading the way for them across the wilderness. But it's really not about sheep and shepherding. That's just an illustration of the underlying point which Jesus wants to make. He is aware of all of the people, then and now, who are disconnected from God. We can forget about them, and decide that they're simply not meant to get it together with God. Alternatively, we can hope that somehow they will find their way to God, stumbling upon the truth either by accident or by divine providence. Or we can actively go in search of them, which is what mission is all about.

Jesus is an activist. he would surely approve of this week's "Jesus Surf Classic" events in Devon and Cornwall, where some of the world's best Christian surfers are gathering to compete. Pippa Renyard, a member of one of the five Cornish branches of Christian Surfers UK, is reported in The Guardian as saying: "Surfers tend to be a group who don't necessarily connect with a dusty old building like a church. But God is not about a building. He is about a community. We don't try to ram it down people's throats but if they are interested they can talk about God with us and hopefully join the group."

Apparently, some traditional churches remain uninterested or suspicious, though not the Methodist Church in Polzeath, which has turned itself into a centre for Christian surfers and replaced some of the pews with a skateboarding ramp. What are we being called to do to rescue people disconnected from God in our community?

Comments

Popular posts from this blog

I don't believe in an interventionist God

Matthew 28.1-10, 1 Corinthians 15.1-11 I like Nick Cave’s song because of its audacious first line: ‘I don’t believe in an interventionist God’. What an unlikely way to begin a love song! He once explained that he wrote the song while sitting at the back of an Anglican church where he had gone with his wife Susie, who presumably does believe in an interventionist God - at least that’s what the song says. Actually Cave has always been very interested in religion. Sometimes he calls himself a Christian, sometimes he doesn’t, depending on how the mood takes him. He once said, ‘I believe in God in spite of religion, not because of it.’ But his lyrics often include religious themes and he has also said that any true love song is a song for God. So maybe it’s no coincidence that he began this song in such an unlikely way, although he says the inspiration came to him during the sermon. The vicar was droning on about something when the first line of the song just popped into his

Giotto’s Nativity and Adoration of the Shepherds

John 1.10-18 In the week before Christmas the BBC broadcast a modern version of The Nativity which attempted to retell the story with as much psychological realism as possible. So, for instance, viewers saw how Mary, and Joseph especially, struggled with their feelings. But telling the story of Jesus with psychological realism is not a new idea. It has a long tradition going back seven hundred years to the time of the Italian artist Giotto di Bondone. This nativity scene was painted in a church in Padua in about 1305. Much imitated it is one of the first attempts at psychological realism in Christian art. And what a wonderful first attempt it is - a work of genius, in fact! Whereas previously Mary and the Baby Jesus had been depicted facing outwards, or looking at their visitors, with beatific expressions fixed on their faces, Giotto dares to show them staring intently into one another’s eyes, bonding like any mother and newborn baby. Joseph, in contrast, is not looking on with quiet a

Meeting Jesus on Zoom

‘Unless I see the mark of the nails in his hands, and put my finger in the mark of the nails and my hand in his side, I will not believe.’ (John 20.19-31 ( https://www.biblegateway.com NRSVA) This is my second reflection about today’s Gospel reading but I wanted to write something about meeting Jesus on Zoom. Zoom’s been very useful during the lockdown, but it’s also got a bad press. Various mischief makers have gatecrashed meetings on Zoom, either to eavesdrop or make inappropriate comments. That’s why worshippers needed permission to join our on-line service this week. If they managed to press all the right buttons, and entered all the right codes, they should've found themselves looking at a screen not unlike the cartoon picture below of the eleven apostles trying to meet on Zoom with the risen Jesus. Anyone who couldn't see the service on the screen would've been in good company. In the cartoon Jesus has done something wrong. Either he hasn’t enabled Zoom to t