Skip to main content

Celebrity Come Dancing & The Righteous Servant

Isaiah 53.4-12

This passage resonates so strongly with the experience of Jesus that, from the very beginning of the Church, Christians have identified the subject of the prophecy with him. Yet the Prophet identifies this person only as the righteous servant - perhaps the faithful remnant of God's people who had been taken into exile with all the unfaithful ones. 


One of the most striking things for me about Celebrity Come Dancing is the way that the dancers are punished for the mistakes of the celebrities. Indeed some of the dancers are harnessed over and over again, series after series, with people who have two left feet, or are seriously overweight or who just can’t dance. No matter how hard they work, and sometimes they work very hard to choreograph creative and entertaining routines and then dance until sweat pours off them, they are doomed to be condemned by the judges. The righteous share the fate of the unrighteous. And thus it ever was.


In ancient Babylon the righteous servants of God had shared the suffering of the other exiles, but in their case it was undeserved. Their punishment was a perversion of justice. People lumped them together with all the other sinners and assumed that they must have done something terribly wrong, but they had been wounded for the transgressions of the whole nation.
The suffering of the righteous will not be in vain, says the Prophet. God has not forgotten them and will honour them, especially for the way they have been willing to endure hardship with, and have prayed for, their fellow sufferers, even to the point of death. The Prophet says they will be allotted a portion with the great.

There can be little doubt that Jesus was inspired by this passage and modelled himself on the righteous servant. Luke tells us as much in the Emmaus story.

The passage reminds us that none of us can escape the circumstances in which we find ourselves. The rain falls on the righteous and the unrighteous. We can never be immune from, or sheltered from, the calamities which befall the community around us.

This is true whether we're talking about the impact of the recession on the life of our church, or about what it feels like to be the church in a community where mines and factories have closed and people have been left behind while others were prospering.

Do we always remember to stand alongside and pray for those who are being hit hardest by unemployment and falling incomes? What practical things are we doing to support them and show our solidarity with them? And do they know that what we are doing, and our simply being alongside them, is meant to be incarnational - that it is our way of mirroring Jesus' own identification with struggling humanity?

I was at a conference this week where a vicar shared with us two recent encounters with his parishioners - one an elderly bus driver who had suddenly lost his wife and was feeling very alone, the other a single mother with six children, living on benefit but full of passionate love for her demanding brood. What does it mean, he asked, to be a righteous servant to these ordinary people?

How, without making them feel self-conscious or singled out, can we affirm people like these, encourage them, remind them that - in their daily struggles - they are loved by God and upheld in prayer by the church?


Comments

Popular posts from this blog

I don't believe in an interventionist God

Matthew 28.1-10, 1 Corinthians 15.1-11 I like Nick Cave’s song because of its audacious first line: ‘I don’t believe in an interventionist God’. What an unlikely way to begin a love song! He once explained that he wrote the song while sitting at the back of an Anglican church where he had gone with his wife Susie, who presumably does believe in an interventionist God - at least that’s what the song says. Actually Cave has always been very interested in religion. Sometimes he calls himself a Christian, sometimes he doesn’t, depending on how the mood takes him. He once said, ‘I believe in God in spite of religion, not because of it.’ But his lyrics often include religious themes and he has also said that any true love song is a song for God. So maybe it’s no coincidence that he began this song in such an unlikely way, although he says the inspiration came to him during the sermon. The vicar was droning on about something when the first line of the song just popped into his

Giotto’s Nativity and Adoration of the Shepherds

John 1.10-18 In the week before Christmas the BBC broadcast a modern version of The Nativity which attempted to retell the story with as much psychological realism as possible. So, for instance, viewers saw how Mary, and Joseph especially, struggled with their feelings. But telling the story of Jesus with psychological realism is not a new idea. It has a long tradition going back seven hundred years to the time of the Italian artist Giotto di Bondone. This nativity scene was painted in a church in Padua in about 1305. Much imitated it is one of the first attempts at psychological realism in Christian art. And what a wonderful first attempt it is - a work of genius, in fact! Whereas previously Mary and the Baby Jesus had been depicted facing outwards, or looking at their visitors, with beatific expressions fixed on their faces, Giotto dares to show them staring intently into one another’s eyes, bonding like any mother and newborn baby. Joseph, in contrast, is not looking on with quiet a

Meeting Jesus on Zoom

‘Unless I see the mark of the nails in his hands, and put my finger in the mark of the nails and my hand in his side, I will not believe.’ (John 20.19-31 ( https://www.biblegateway.com NRSVA) This is my second reflection about today’s Gospel reading but I wanted to write something about meeting Jesus on Zoom. Zoom’s been very useful during the lockdown, but it’s also got a bad press. Various mischief makers have gatecrashed meetings on Zoom, either to eavesdrop or make inappropriate comments. That’s why worshippers needed permission to join our on-line service this week. If they managed to press all the right buttons, and entered all the right codes, they should've found themselves looking at a screen not unlike the cartoon picture below of the eleven apostles trying to meet on Zoom with the risen Jesus. Anyone who couldn't see the service on the screen would've been in good company. In the cartoon Jesus has done something wrong. Either he hasn’t enabled Zoom to t