Skip to main content

Feeling Fortunate

At the beginning of our journey through lockdown I quoted someone from the Bible Reading Fellowship who’d said that the psalms are a great resource for people going through difficult times and experiencing a ‘dark night of the soul’. Psalm 16 isn’t one of those resources!
The psalmist is definitely a ‘glass half full’ person. He delights in those who take refuge in God instead of beginning to doubt or feel sad. Their faith never waivers. They’e the true ‘nobility’, the ‘Coronavirus heroes’ in his eyes. 
But then perhaps the psalmist has had a more fortunate experience than others. He’s able to say, ‘The boundary lines have fallen for me in pleasant places; I have a goodly heritage.’
Or maybe not. He still lies awake! ‘In the night also,’ he says, ‘My heart instructs me.’ Is he anxious, or is he counting his blessings? 
A researcher found that the real difference between people who felt they’d been fortunate in life and those who felt they’d been unfortunate was the way they interpreted events. The ones who felt fortunate said that things could easily have been much worse! The ones who felt unfortunate complained their life might have been better!
The psalmist is ready to say, ‘I keep the Lord always before me; because he is at my right hand, I shall not be moved. Therefore my heart is glad, and my soul rejoices; my body also rests secure.’

Comments

Popular posts from this blog

I don't believe in an interventionist God

Matthew 28.1-10, 1 Corinthians 15.1-11 I like Nick Cave’s song because of its audacious first line: ‘I don’t believe in an interventionist God’. What an unlikely way to begin a love song! He once explained that he wrote the song while sitting at the back of an Anglican church where he had gone with his wife Susie, who presumably does believe in an interventionist God - at least that’s what the song says. Actually Cave has always been very interested in religion. Sometimes he calls himself a Christian, sometimes he doesn’t, depending on how the mood takes him. He once said, ‘I believe in God in spite of religion, not because of it.’ But his lyrics often include religious themes and he has also said that any true love song is a song for God. So maybe it’s no coincidence that he began this song in such an unlikely way, although he says the inspiration came to him during the sermon. The vicar was droning on about something when the first line of the song just popped into his ...

On "Crazy People", By Casting Crowns

On Crazy People, by Casting Crowns When I heard the song, I liked it. It’s funny. I’m not sure it’s woke, though. If you know what I mean?  Woke means ‘being alert to racial discrimination and other kinds of prejudice’. And some people feel that the word crazy is un woke because it stigmatizes mental health issues.  According to woke people, calling someone crazy seems to imply that he or she isn’t living in the real world and can’t make rational decisions, that they’re mentally deranged.  I looked up the politically correct alternatives to crazy. A woke dictionary suggested, ‘ irration al , r idiculous , s illy and a bsurd’. If you think it actually is absurd to suggest that the word crazy can be replaced by the word absurd then I guess you’re un woke. But crazy does have wider meanings that have nothing to do with mental health. It can mean ‘to be infatuated with someone’ or ‘to be passionately excited or very enthusiastic about something’.  I guess the song wr...

Giotto’s Nativity and Adoration of the Shepherds

John 1.10-18 In the week before Christmas the BBC broadcast a modern version of The Nativity which attempted to retell the story with as much psychological realism as possible. So, for instance, viewers saw how Mary, and Joseph especially, struggled with their feelings. But telling the story of Jesus with psychological realism is not a new idea. It has a long tradition going back seven hundred years to the time of the Italian artist Giotto di Bondone. This nativity scene was painted in a church in Padua in about 1305. Much imitated it is one of the first attempts at psychological realism in Christian art. And what a wonderful first attempt it is - a work of genius, in fact! Whereas previously Mary and the Baby Jesus had been depicted facing outwards, or looking at their visitors, with beatific expressions fixed on their faces, Giotto dares to show them staring intently into one another’s eyes, bonding like any mother and newborn baby. Joseph, in contrast, is not looking on with quiet a...