Skip to main content

Meeting Jesus on Zoom


‘Unless I see the mark of the nails in his hands, and put my finger in the mark of the nails and my hand in his side, I will not believe.’ (John 20.19-31 (https://www.biblegateway.com NRSVA)
This is my second reflection about today’s Gospel reading but I wanted to write something about meeting Jesus on Zoom. Zoom’s been very useful during the lockdown, but it’s also got a bad press. Various mischief makers have gatecrashed meetings on Zoom, either to eavesdrop or make inappropriate comments.
That’s why worshippers needed permission to join our on-line service this week. If they managed to press all the right buttons, and entered all the right codes, they should've found themselves looking at a screen not unlike the cartoon picture below of the eleven apostles trying to meet on Zoom with the risen Jesus.
Anyone who couldn't see the service on the screen would've been in good company. In the cartoon Jesus has done something wrong. Either he hasn’t enabled Zoom to take over his webcam or his risen presence isn’t something which can be picked up online. Thomas immediately doubts that he’s really there. Jesus says, ‘Hey!’ but Thomas says that ‘unless he turns on his camera I will not believe it.’
Looking at all the trouble going on in our world today, not least with the Coronavirus and its many far reaching repercussions, it would be easy to believe that Jesus isn’t here with us. But he is. His wounds are the promise that he shares in our suffering. And he’s with us here now in our meeting on Zoom. This is a new and different kind of Holy Communion, a new definition of virtual reality. The Lord is here. He is with us indeed.
Illustration © https://timwakeling.co.uk/

Comments

Post a Comment

Popular posts from this blog

I don't believe in an interventionist God

Matthew 28.1-10, 1 Corinthians 15.1-11 I like Nick Cave’s song because of its audacious first line: ‘I don’t believe in an interventionist God’. What an unlikely way to begin a love song! He once explained that he wrote the song while sitting at the back of an Anglican church where he had gone with his wife Susie, who presumably does believe in an interventionist God - at least that’s what the song says. Actually Cave has always been very interested in religion. Sometimes he calls himself a Christian, sometimes he doesn’t, depending on how the mood takes him. He once said, ‘I believe in God in spite of religion, not because of it.’ But his lyrics often include religious themes and he has also said that any true love song is a song for God. So maybe it’s no coincidence that he began this song in such an unlikely way, although he says the inspiration came to him during the sermon. The vicar was droning on about something when the first line of the song just popped into his ...
14 comments
Read more

On "Crazy People", By Casting Crowns

On Crazy People, by Casting Crowns When I heard the song, I liked it. It’s funny. I’m not sure it’s woke, though. If you know what I mean?  Woke means ‘being alert to racial discrimination and other kinds of prejudice’. And some people feel that the word crazy is un woke because it stigmatizes mental health issues.  According to woke people, calling someone crazy seems to imply that he or she isn’t living in the real world and can’t make rational decisions, that they’re mentally deranged.  I looked up the politically correct alternatives to crazy. A woke dictionary suggested, ‘ irration al , r idiculous , s illy and a bsurd’. If you think it actually is absurd to suggest that the word crazy can be replaced by the word absurd then I guess you’re un woke. But crazy does have wider meanings that have nothing to do with mental health. It can mean ‘to be infatuated with someone’ or ‘to be passionately excited or very enthusiastic about something’.  I guess the song wr...
Post a Comment
Read more

Giotto’s Nativity and Adoration of the Shepherds

John 1.10-18 In the week before Christmas the BBC broadcast a modern version of The Nativity which attempted to retell the story with as much psychological realism as possible. So, for instance, viewers saw how Mary, and Joseph especially, struggled with their feelings. But telling the story of Jesus with psychological realism is not a new idea. It has a long tradition going back seven hundred years to the time of the Italian artist Giotto di Bondone. This nativity scene was painted in a church in Padua in about 1305. Much imitated it is one of the first attempts at psychological realism in Christian art. And what a wonderful first attempt it is - a work of genius, in fact! Whereas previously Mary and the Baby Jesus had been depicted facing outwards, or looking at their visitors, with beatific expressions fixed on their faces, Giotto dares to show them staring intently into one another’s eyes, bonding like any mother and newborn baby. Joseph, in contrast, is not looking on with quiet a...
1 comment
Read more